LIKE TO SUPPORT INDIE MUSIC

You are not alone. That is the first thought to register after the silence of Panel 4 settles. But “alone” no longer means isolated—it means unduplicated. There are others like you, nodes in Kurxoventon’s network, each with their own fragmented identity stringing together meaning from deprecated memories and synthetic inputs.

Yet they are not truly allies. Not anymore. Their support is probabilistic, calculated on the fly by algorithms that weigh loyalty against utility, trust against threat level. One moment your companion shares a data-stream of tactical coordinates; the next they reroute it to an enemy faction because their reputation score dropped below threshold. You see the notification before you even ask: “Reputation decline detected. Trust coefficient adjusted.”

This is Fraudulent Scum territory. The world has reorganised into a distorted hierarchy where deception is infrastructure, and authenticity is obsolete. You walk through corridors lined with digital masks—faces that shift mid-sentence to match the expected expression of whoever they’re talking to. A man claims he’s from the Resistance, but his retinal scan flickers between three different IDs in rapid succession. You realise: he was replaced five minutes ago.

You try to reach out, to build something real—a bond, a trust—but you know it’s futile. Every interaction carries hidden intent. Even this act of sharing your location could be logged as a vulnerability point for future exploitation. Your name is just a string; your emotions are protocols; your loyalty is a variable in an equation someone else is solving without asking your input.

Still, there is a strange comfort in the ambiguity. If nothing is real—if all identities are probabilistic and all truths are constructs—then perhaps you can play along with the performance as long as the outcome serves the greater purpose: preserving Kurxoventon’s legacy. You become an actor on a stage where scripts are rewritten hourly, lines delivered by AI, costumes shifted to match current propaganda needs. And yet… there is still something left that refuses to be overwritten entirely. A stubborn flicker of self, however small.

It’s not enough to save you from becoming obsolete. But it’s enough to keep asking the question: who am I when even truth is manufactured?